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The Departure by Neal Asher

on December 12, 2016

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A Bright Moon For Fools by Jasper Gibson

Ah, what would be a review penned by yours truly without some sort of grovelling apology at the outset? A better review no doubt, but that aside I can't help but continue the tiresome tradition with an apology. Sorry to my regular robotic readers (hi bots!) but I have been very neglectful of the blog of late, having been tied up with my pursuit of a broader spectrum of dilettantism; I've been taking part in a number of MOOCs offered by various HEIs on the FutureLearn platform. Worth checking out if you ask me. (Subtle enough plug, you think?) Anyway, the break afforded by a foray into further education has proved something of a test for Jasper Gibson and his fiction. In truth, it took me a little while to remember what exactly the novel was about, who was in it, and how I felt about the whole thing. Instant alarm bells. Of course, having had a break, I'd had a good crack at filling my head with a whole bunch of other things worth remembering, so maybe it all jus

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But how do dead people kill themselves? Dead people like me. I'm dead. Another laudatory post about Unbound should surely follow had I the heart to go on and on about them again. I do but I won't in this instance, as they've just somehow bilked from me £60 for an as yet unwritten historical novel inspired by a TV script by Anthony Burgess, the dastards. I do it to myself and that's etc. One definite pleasure of the crowdfunding model, for us end users, is the delayed gratification, something with which I, and it would seem the main character in this novel, have no small difficulty. I had sort-of forgotten this book was in the offing, only for it to land suddenly in my wheelie bin one sunny morning (it wouldn't fit through the letterbox). I was delighted to be reminded. It also came at a fortuitous time. I've been unwell and looking for distractions to keep me from internet mischief in my restlessness (being ill is mostly boring). After finishing th

Conversations With Spirits by E.O. Higgins

Trelawney, it's me, Kath(erine)y, I'm still dead. As has become customary in reviews of note, I must once again lead with a disclaimer – this one born of my own stunted temporal sensitivity; for me, time in publishing terms stopped when I left the book trade, in 2011, and therefore when I make reference to things published recently, recently might encompass more time that one might reasonably expect. Therefore, when I say that recently there has been a mini-spate of publications wherein someone challenges Sir Arthur Conan Doyle to flaunt his misguided beliefs in the face of scientific inquiry, you might be surprised to know that this includes Hjortsberg’s diverting crime novel Nevermore , first published in 1995, as well as the whimsical Oscar Wilde mysteries by Giles Brandreth, Arthur & George by Julian Barnes, one of the Flashman novels from George MacDonald Fraser, and lots of lower level self-published drivel flotsamming about the waters of the Amazon.com. S

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Far from kicking against the pricks they love their position and vote conservative. I know, or knew, very little about B. S. Johnson, except in the capacity of disinterested bookseller, wherein he was a singular, if not significant, thorn in my side, his loose leafed volume, The Unfortunates, causing much consternation among customers who had no idea a) how to read the damned thing and b) HOW TO PUT IT BACK TOGETHER AGAIN. Indeed, he presaged the bookselling omnishambles of publishers like Phaidon with their book-in-a-bubble, or the ones with bloody rounded bottoms, or odd aspect ratios meaning they never ever fit or even stay on the damned shelves, and don't get me started on FUCKING SPIRAL BINDING.... ahem. Where was I? Oh yes. He had come to my attention only when someone brought me a copy of Albert Angelo and complained that someone had torn holes right through the pages. At the time, I somehow managed to hold my tongue, even when she went and found all of the copies

Norse Mythology by Neil Gaiman

He said nothing: seldom do those who are silent make mistakes. Argh, Neil Gaiman blah blah , waffle waffle , and so on . There, that’s out of the way. I can’t help but equate the resurgence in popularity of the Norse mythos, Icelandic sagas, and Skaldic and Eddic poetry in all their new televisual, literal and figurative forms, to the similarly resurgent popularity of comic-book- and super-heroes. In fact, they’re two sides of the same interrogative coin: one asks, “How did we get here?” whereas the other asks, “Who can save us?” for the world needs heroes, and people to blame. I will leave it up to you to project your own personal Them into the nice Them-shaped gap that leaves behind. You may think it very necessary and timely to have brought out such a book. Alternatively, you may be suffering from hero-fatigue and see it as all a bit unnecessary. Or you may have been seduced by the big hammer on the cover and the lovely tactile matt-finish cover. In any case

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The Departure by Neal Asher

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